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So here they are, rewarding excellence in stuff I've seen, heard or read this year (regardless of its original inception date). As usual, only new material will be up for consideration (or else I'd just read Hamlet once a year and be done with it). No money or prizes will actually be awarded.
[Insert "funny" or "inspirational" year-in-review montage here]
Best Book of 2008 - The runners up are...
5. Gentlemen of the Road by Michael Chabon
4. The Lemon Table by Julian Barnes
3. The Gum Thief by Douglas Coupland
2. Cat's Cradle by Kurt Vonnegut Jr.
...and the Siskoid goes to:
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Best Comic of 2008 - The runners up are...
5. Tiny Titans by Baltazar
4. Teen Titans Year One by Wolfram and Kerschl
3. Jack of Fables by Willingham and Sturges
2. OMAC Omnibus by Jack Kirby
...and the Siskoid goes to:
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Best Film of 2008 - The runners up are...
5. Iron Man by Jon Favreau
4. Junebug by Phil Morrison
3. Pat Garrett and Billy the Kid by Sam Peckinpah
2. There Will Be Blood by Paul Thomas Anderson
...and the Siskoid goes to:
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Best TV Series of 2008 - The runners up are...
5. Doctor Who Series 4
4. Torchwood Series 2
3. The UNIT Seasons 2-3
2. Spaced Series 1-2
...and the Siskoid goes to:
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Best TV Episode of 2008 - Limited to one per Season of any series. The runners up are...
5. Spaced Series 1 - Epiphanies
4. Veronica Mars Season 1 - Pilot
3. Extras - The Extra Special Series Finale
2. The Wire Season 5 - -30-
...and the Siskoid goes to:
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Best CD of 2008 - The runners up are...
5. Cliché Hot de Radio Radio
4. Pat Garrett and Billy the Kid soundtrack by Bob Dylan
3. Veronica Mars Unofficial Soundtrack (cheating here a bit, but there are a LOT of tunes on that list that I've fallen in love with)
2. Doctor Who Original Television Soundtrack Series 3 by Murray Gold
...and the Siskoid goes to:
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And now for the category you've been waiting for:
Stupidest Move in the Geekaverse 2008 - The runners up are...
5. Batman's artists (DC Comics) - For some insane reason, DC has their maverick writer/cash cow, Grant Morrison, on their best-selling superhero (the same year his biggest ever movie comes out) doing a majorly hyped story arc, but they can't be bothered to give him a good artist. And I don't mean that Tony Daniel is not a good artist, I mean that he's a TERRIBLE one. Most of the time, you can't tell what's happening or who it's happening to, truly impairing the story Morrison is trying to tell. And when we get relief from Daniel, it's the likes of Ryan Benjamin who is ever worse. Over on JLA, Ed Benes takes all the attention from the Caped Crusader in favor of Black Canary's crotch. I mean, aren't these supposed to be DC's flagship books? Does no one decent want to draw them? Thank God for Trinity.
4. Heroes: Villains (largely placed at the feet of Jeff Loeb) - We blamed last year on the writers' strike, but turns out it was human error all along. Suffering from its loss of momentum, Heroes went from surprise hit to terrible failure this year as characters acted out of whatever motivation the plot required of them, twists and turns happened to be the same twists and turns offered in the first two seasons, logic and continuity went out the window and to make matters worse, Jeff Loeb inserted a number of unhealthy Rulk references into the scripts. Result: Loeb and another producer out on their asses... but is the damage irreversible?
3. Secret Invasion/Final Crisis (tie; DC and Marvel Comics) - I really can't choose between Marvel's slow-paced, mistitled, ultimately irrelevant, internally inconsistent event based on DC's 20-year-old Millenium where nothing at all happens in the main book at all except pointing at what other series you should be buying, and DC's opaque, chronically late event with its apparently limitless number of tie-ins and totally contradictory lead-in mini-series. I think Secret Invasion was the lamer of the two, but it's looking like Final Crisis will be another case of Editorial shafting Morrison.
2. Frank Miller, Superstar - The Goddamn Batman may or may not be to your tastes, but I think it makes a paltry ambassador for the character. And yet, the Dark Knight/300 connection will probably have snared a few souls from the non-comics set. And now, we have The Spirit, touted as the worst comic book adaptation since League of Extraordinary Gentlemen (hey, this is also the guy who wrote Robocop 2, don't act all surprised). Here's hoping his shining star has finally crashed to earth.
...and the Siskoid goes to:
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What would have been YOUR picks? Tomorrow: The Technical Awards as given in a ceremony prior to this one!
Comments
That's a bad thing? Morrison's story in Batman is the dumbest thing he's concocted since his run on New X-Men.
I know you think Morrison is the greatest thing to happen to comics since the printing press, but his work on Batman is garbage.
R.I.P. might actually have worked with a better artist. An artist with a confusing style just isn't helping a story that's already an overlong fever dream. It reads like it was supposed to be "pure comics" (like his own All-Star Superman or Kirby's Fourth World), a kind of love letter to the character's history. But Daniel doesn't understand basic comic book grammar, which sends the whole thing into a tailspin.
I quite agree that RIP could be a experimental failure, but it didn't stand a chance. It's like Roger Corman directing Hamlet, it doesn't matter how good the writing is, it's gonna look shoddy.
Lost Horizons is beautifully lyrical, I dunno, more serenely musical. I went with '64-'95 perhaps because it had recognizable snatches in it and the Shat connection.